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We went to university together http://www.djoasis.com/how-to-get-an-a-on-my-research-paper/ essay services united states based In the first cycle, “Murder House,” that hysteria gave us a wonderfully absurd fifty-car pile-up of a plot as the show turned its high body-and-ghost count into an excuse to indulge in bondage fantasies with a supernatural twist. I haven’t seen “Asylum,” but the reactions I’ve heard range from “passable” to “steer clear like the plague” —perhaps the hysteria was too much, the tone shifts too painful. Now, “Coven” begins by trying to hide the hysteria. It hides it behind an improved production design, a glossier, cinematic look loaded with Dutch angles, fish-eye lenses, silent film footage, and overhead shots so irrelevant it’s almost ballsy. With “Breaking Bad” gone, “American Horror Story’s” wasted no time asserting itself as TV’s visual showboat. “Coven” might be best watched with the sound off, just to focus on the pretty pictures.


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